Christophe cause of death

Henri christophe children
Henri christophe wife
Henri christophe died

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After a comprehensive curriculum at Nancy Conservatoire under the tutorship of Christiane Stutzmann, Christophe Gay won an award at the "Les Symphonies d'automne" competition in Macon in the Opera category, and was Adami Classical Revelation in 2004.

After his debut at Nancy Opera in Il Prigioniero by Luigi Dallapiccola, he was much applauded in Paris at the Cité de la Musique, at the Opéra Comique, but also at the Aix-en-Provence Festival (in l'Orfeo under the direction of René Jacobs) and at the opera houses of Lyon, Lille, Nantes, Rouen, Toulon, Avignon and Strasbourg.

His career also took an international turn: after Italy where he sang at the Montepulciano Festival (Tuscany) in the world premiere of Enigma by Detlev Glanert, he was invited to Luxembourg, Germany (Hamburg, Düsseldorf, Stuttgart and Braunschweig), Belgium (Brussels) and to the prestigious Glyndebourne Festival in David McVicar's production of Carmen.

His repertoire is varied. He performed in many productions of Baroque operas such Iphigénie en Tauride by Gluck, l'Orfeo, Platée, King Art

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Christophe (singer)

French musician (1945–2020)

Musical artist

Daniel Bevilacqua (French pronunciation:[danjɛlbɛvilakwa], Italian:[ˌbeviˈlakkwa]; 13 October 1945 – 16 April 2020), better known by the stage name Christophe (French:[kʁistɔf]), was a French singer and songwriter. He was born in the Paris suburb of Juvisy-sur-Orge, to an Italian father.

Career

Born in a suburb of Paris, Bevilacqua was rebellious at school and started leading a pop group when in his mid-teens. His first single, "Reviens Sophie" in 1963, was unsuccessful, but after changing his name to Christophe, his second single, "Aline", in 1965, rose to the top of the French pop music charts.^[2]

He continued to have success in France through the 1960s and early 1970s. His hits include the songs "Marionettes", "J'ai entendu la mer", "Excusez-moi Monsieur le Professeur", and "Oh!... Mon Amour" which he sang in French and Italian. After a small break, he returned in 1971, with Francis Dreyfus launching the Motors record label (Disques Motors) and becoming the pr

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Maillot

^{_{CHOREOGRAPHER-DIRECTOR}}

JEAN-CHRISTOPHE MAILLOT

Rosella Hightower liked to say of her student Jean-Christophe Maillot, that his life was just a union of opposites. In fact, for the current Choreographer-Director of the Ballets de Monte-Carlo, dance combines with theatre, enters the ring under a big top, evolves into the arena of visual arts, is fuelled by the most diverse scores and explores different forms of literature... His repertoire of 80 ballets (40 created in Monaco) draws from the world of art in the broadest sense and each ballet is a sketch book which feeds the following work. Thus, over 30 years, Jean-Christophe Maillot has created an ensemble of sixty pieces ranging from great narrative ballets to shorter formats, and where multiple connections reflect a work which forms part of the history and diversity. Neither classical nor contemporary, not even between the two, Jean-Christophe Maillot refuses to adhere to one style and designs dance like a dialogue where tradition on pointes and the avant-garde are no longer mutually exclusive.

Jean-Christ