Robert louis stevenson cause of death

Robert louis stevenson childhood
Robert louis stevenson famous works
Robert louis stevenson family

•

Robert Louis Stevenson

Born on November 13, 1850, in Edinburgh, Scotland, Robert Louis Balfour Stevenson came from a long line of prominent lighthouse engineers. During his boyhood, he spent holidays with his maternal grandfather, a minister and professor of moral philosophy who shared his love of sermons and storytelling with him. Prone to illness, Stevenson spent many of his early winters in bed, entertained only by his imagination and a great love of reading, especially William Shakespeare, Sir Walter Scott, John Bunyan and The Arabian Nights.

Encouraged to follow the family tradition of lighthouse engineering, Stevenson began studies at the University of Edinburgh in 1867, but quickly discovered he preferred a career in literature. To satisfy his father, he acquired a law degree and was admitted to the bar by the time he was twenty-five.

Stevenson spent the next four years traveling through Europe, mostly around Paris, publishing essays and articles about his travels. In 1876, he met Fanny Vandegrift Osbourne, a married woman ten years his senior. When she decided to r

•

Treasure Island Author Robert Louis Stevenson Was a Sickly Man with a Robust Imagination

Under the wide and starry sky
Dig the grave and let me lie
Glad did I live and gladly die
And I laid me down with a will
This be the verse you grave for me
Here he lies where he longed to be
Home is the sailor home from the sea
And the hunter home from the hill

Stevenson had many occasions to think about his own mortality. Frequently ill since childhood, he’d suffered from a chronic lung ailment with symptoms typical of tuberculosis, including breathing problems and spitting up blood. Some commentators have speculated that Stevenson didn’t have tuberculosis, but a rarer pulmonary condition such as bronchiectasis or Osler-Weber-Rendu syndrome. Whatever the root of Stevenson’s health problems, the result was essentially the same. He’d come near death several times, and had traveled much of the world in an odyssey to find a climate ideal for his health. In Samoa, he made his last great attempt to regain his health, although a look at any of Steve

•

Stevenson’s establishes a personal relationship with the reader, and creates a sense of wonder through his brilliant style and his adoption and manipulation of a variety of genres. Writing when the period of the three-volume novel (dominant from about 1840 to 1880) was coming to an end, he seems to have written everything except a traditional Victorian novel: plays, poems, essays, literary criticism, literary theory, biography, travelogue, reportage, romances, boys’ adventure stories, fantasies, fables, and short stories. Like the other writers who were asserting the serious artistic nature of the novel at this time he writes in a careful, almost poetic style – yet he provocatively combines this with an interest in popular genres. His popularity with critics continued to the First World War. He then had the misfortune to be followed by the Modernists who needed to cut themselves off from any tradition; Stevenson was felt to be one of the most constraining of immediately-preceding authors for his sheer ability, and one of the most insidious for his play with popular genres an